Showing posts with label travis millard. Show all posts
Showing posts with label travis millard. Show all posts

Wednesday, May 24, 2017

"MARKS; A BLACK & WHITE EXHIBITION"

Bend has gathered a talented group of top drawers and asked them create black and white pieces that will travel to several cities as a group show entitled "Marks; A Black & White Exhibition.” Check this line-up:

Evan Hecox
James Jarvis
Andy Jenkins
Henry Jones
Randy Laybourne
Nathan Lewis
John McGuire
Travis Millard
Jason Polan
Michael Sieben


The premiere of the "Marks" series is currently hanging at the Seeing Things Gallery in San Jose. If you're in the area, you can check it out until June 3rd. If you are interested in seeing and/or buying any of the artwork, they will be available on the Seeing Things Store, 5/25. Big thanks go out to the man behind Seeing Things, Jai Tanju.


UNRATED MAGAZINE

Unrated Magazine interviewed me about "What Happened" and creativity in general. Check it out here. Thanks go out to, Benjamin Benichou and Alexander Lendrum. Photo, Tobin Yelland.

Friday, March 24, 2017

MONSTER CHILDREN BUMP

You can read an interview I did with Jason Crombie on the Monster Children site. We talked writing and my book, "What Happened' -- which you can buy in the Bend Shop. A big thanks to Monster Children for supporting me since MC issue 1. Thank you Campbell, Hollywood, Crombie and Chris.


Wednesday, March 22, 2017

"WHAT HAPPENED" RELEASE EVENT

We're having a book release and signing at the Quiet Life store on Saturday, March 25th. In addition, the Bend Press + Quiet Life special collab items will be on display and for sale, along with the original Travis Millard illustrations from the book. The Quiet Life Store, 5627 N. Figueroa, LA 90042. Come by by and shoot the shit with us.


Wednesday, February 1, 2017

WHAT HAPPENED

Bend Press Project #25 is now available in the Bend Store.

"What Happened is a collection of stories by Andy Jenkins with Illustrations by Travis Millard. Most of the collection is from Bender a regular column in Monster Children magazine (Australia)."
First Printing 2017. 8.5" x 5.5", 56 pages, perfect bound.



Friday, January 9, 2015

DRAWING STORIES

If you haven't figured it out by now, Travis Millard is one of my favorite illustrators. He's also a pretty funny story teller. Here, in Drawing Stories, he combines the two. Dig it.


Friday, December 19, 2014

TIP JAR

I walk this way to lunch a couple times a week. The restaurant is about 200 yards away, a straight shot down a lonely sidewalk. On this particular day I saw a figure ahead. In front of Monk’s. I knew, right away this was going to be interesting. It was just a feeling I had… no other reason, really.

As I approached, I got a look at her. An overweight woman in a pink nightgown and slippers moving around erratically just outside the door. Her dirty, curly blond hair in tangles and falling over her haggard face like wild vines. I walked past her and into the side door. She followed me in. It was really busy inside. Busier than I’d ever seen it. I stood in line to make my order.

She wandered around in front of the register for a while before she started talking.

She leaned in over the counter. “Someone back there get me a salad.”

The register girl piped up, “Ma’am, you’ll have to stand in line like everyone else.”

“I want a salad. Hey you! Get me a salad!” Her nightgown was sleeveless and you could see her blubbery arms shaking at the line cook. Her pale face was half covered in bright pink melanoma’s and twisted up in a sort of confused expression.

Everyone in the place ignored her. Make no eye contact. You could feel the tension building.

“Get me a Pepsi too.” She took a seat on one of the stools near the counter. And that’s when I made the mistake of looking at her. She looked back. Damn it.

She began to walk over. I thought she was going to ask for money.

She didn’t ask for money. “I don’t like you,” she told me right to my face.

“OK.”

She kept staring at me, then turned around and went back to the stool.

I placed my order. I gave the woman taking my money a little lifted eyebrows look. She gave me an Oh Well shrug. I moved back and waited for my order to come up. She came at me again.

“I don’t like you.”

This time I just stared into her eyes. I wasn’t sure why, maybe I was hoping to intimidate her. She stared back, but here eyes were vacant, there was nothing there behind the angry face. My only thought was, 'Just don’t touch me.' I looked around and everyone was ignoring the situation.

"I could kill you, mother fucker! You're an immoral person and you don't go to church or pray! I don't like you." She then turned towards the counter, “Can you call the police on this man!?" she yelled while approaching the register.

Suddenly, with a fumbling, awkward move, she grabbed the tip jar with one hand and turned quickly towards the door. As she snatched it, change went flying around the room and onto the people and floor. One man grabbed at her arm and even more change exited the container, but she held on.

When she reached the door, about 10 feet away, she pushed the handle, slammed face-first into the glass and fell backwards, even more money scattering onto the floor. The woman landed on her back but managed to stagger up quickly and towards the door again. This time she pulled and ran. Well, it was more like a shuffling limp at this point.

Everyone watched the pink woman stumble down the sidewalk to a bus bench across the street where she sat down and started counting the remainder of the change.

Inside Monk’s it was silent and still for a few seconds. People just sort of looked around at each other with varying expressions. Some almost laughing, some stunned, some sad. Then a couple of people started collecting the change and putting it back on the counter. And everything just went back to normal.

“You sure know how to attract ‘em, Jenkins!” My co-worker, Mark, was in the line behind me — I hadn’t even noticed.

“Ah, yeah,” I answered.


Bender. Originally published in issue #45 of Monster Children. 2014.
Illustration by Travis Millard.

Sunday, December 7, 2014

NUN-CHUCK JIMMY

Jimmy wasn't too sharp. He once knocked himself out in the parking lot of the restaurant where we both worked. We'd just gotten off when he pulled out a set of nun-chucks and started them up as if he knew what he was doing. Almost instantly he was out cold on the ground. Wooden club to the face.

The manager had sent him home one afternoon to shave his stubbly face. He came back an hour later with bloody dabs of kleenex all over his beard line. It was as though he'd never shaved before. The manager sent him back home.

But for all his density, he was one cocky son-of-a-bitch who could stand up for himself… when he wasn't on the ground out cold. He once served a drive-thru customer who had crossed him, with a frozen patty in his burger. When the guy came into the restaurant threateningly, Jimmy just stood behind the counter taunting him with a hot, greasy spatula.

Every night after closing, one employee would stay on a late shift and deep clean the restaurant. Everything from vacuuming the dining room to scrubbing the frying vats and flushing the ice-cream machine. Jimmy was a regular closer.

One night William and I hid in the cubby space above the walk-in freezers and waited. From up there we had access to most of the one-level building. It was simply a matter of peeling up the false ceiling. At about midnight we started our assault.

Picking up the ceiling tile in the men's bathroom, we lowered a broom down and hit the knob on the hand-dryer. By the time he came over to investigate, the WHOOSHing of the dryer had stopped. After he left, we hit it again.

From above the salad bar island we, again, pulled up a tile to shake the line of beads that hung over it.

We dropped ketchup packets onto the floor he'd just mopped.

Eventually, he started yelling as he stalked the restaurant, asking, "WHO'S THERE! MOTHER FUCKER, SHOW YOURSELF! COME ON!"

Before we could come down from the cubby, he charged up there, adrenaline flowing and a large knife in his hand. We tried to stop him, but in the darkness, he stabbed down onto my accomplice's hand. The blade went through the boney appendage and into the wooden floor. When he realized who we were and what he'd just done, he backed up, jumped down to the restaurant floor and stomped out the back door into the night. We never heard from him again. William never came back either.

Soon after that, I quit and went to art school.


Bender. Originally published in issue #42 of Monster Children. 2014.
Illustration by Travis Millard.

Friday, November 21, 2014

WHORE

I look at the clock (actually, I look at my phone. Who has a clock anymore?) it's 2:30pm. Christ. I still have two and a half hours to go. I have enough work to tide me over until 5, but the motivation isn't there. Only yawns. I stretch and look around my office for some sort of message. None. I get up and go for a cup of coffee. Black.

3:04. Holy crap, the day has just stalled out.

4:15. Ugh.

4:46. I can do this.

5. I'm out.

I make a quick stop to pick up my dog from the kennel and he settles into the back seat.

Merging onto the freeway is always an anxious moment. Cars in front of me are always merging too slow and the cars already on the freeway fly by. I have to blink and either barge or be barged on.
Today the traffic is almost stopped. I slip in behind a giant container truck and wait with all the others. This goes on for some time.

Finally things start to move and cars go into a frenzy. Which lane i faster? Is that bus holding things up? I better switch over to the left. Maybe the right. Why is that guy still moving so slow?

Finally, I exit the freeway and am trapped behind an over-loaded pick-up truck, tools and junk hanging off like hair. About two blocks from my house we I stop at a 4-way. The truck in front of me, painfully slow — that's the last straw. I snap and pull around him quickly. I forget to stop at the sign. The oncoming car  starts turning in front of me and we both hit our brakes. There is now about 10 feet from my face to his between our open windows. I look at him and he is in a full rage, his face all twisted up and red. He is ugly with anger. We both speak at the same time…

I start, "I'm sorry man, I made a mis..."

He yells — much louder than I expected, "YOU WHORE! I'll kill you and your dog!"

What? Did he just say that? No… he couldn't have. He wants to kill me — and my dog? For cutting him off? He must have said, I could have killed you and your dog. Yeah. We each drive off and I cant help but to yell.

Well then, "… FUCK YOU!"

That was smart. The dude calls me a "whore" and all I can think of is Fuck You. Classic. For the rest of my short drive home, I think of alternative responses.

"And a good day to you, sir."

"Who's the whore here? Whore."

"Whore? How does that possibly make any sense?"

OK, so I have no good alternative responses. I park in front of my place and look back at my dog. He's sitting up in the seat, tongue out, a smile on his face.

Asshole.


Bender. Originally published in issue #44 of Monster Children. 2014.
Illustration by Travis Millard.